20 March 2009


I can’t take the credit for coming across this song by Megan Washington, which contained the first harmonic notes to greet my ears upon settling down on my bedroom floor. They had grown used to the steady tread of tires flying 75 MPH down dampened highways, Seattle to Portland.

And I walked through the door of my childhood home... don’t know if I can say home without a qualifier right now.

I felt as if melting into the shadowy 7 pm wooden floors, yes, right on the Oriental rug. Smelling by breathing so deep as to full my whole self with the place that is care and comfort and the sort of love, elusive, mother and daughter. So I began to listen to this song and watch this story. I listened some more and then turned around, looking up for some air and some sky. It had, in fact, ruptured. The sun was leaving for some tomorrow elsewhere and night was rolling along. But in between was a sky left layered violet and fuchsia. And now it is so coal black that my city tamed eyes widen at the shock of suburban night.

So back to this song. It’s buoyant, so that through one’s eyes shapes melt into one another and so do people, because suddenly you’re smiling so. The stripped down singing to you quality is such a catalyst for this.

Plus, there is tilt-shift, which I first came across here. An unlikely combination of trippy and charming, which I've never seen in motion... until now. 


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